Thursday, October 18, 2012

The story of a young, played Puppet Puppeteer

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JAKARTA, KOMPAS.com — strains of tone typical of a Java in the gamelan gambang kromong accompanied my, and a drum that floated slowly. Beats by beats, the beat of drums and chants chanted sinden produced a stylish tone that accompany the story of a puppet in Jakarta.

This time it feels different puppet. Dalangnya a young child or was often called "little wong".

Is Cendikia Ismatuka (11), the Protege of the sanggar Sarotama from Semarang who became the mastermind. In fact all involved on the platform was a small child, the age of 2.5 years to 15 years.

Diki, a familiar call Scholar, was a student of class 6 SD is very adept at orchestrating stories "Billy Glass Gedi", which tells the story of the birth of Billy Glass to become a Knight.

He even puppet characters like all hapal Billy glass, Petruk, Gareng, Bagong, Bima, Abhimanyu and giant.

Diki then took a giant puppet, told the Giants wanted to kill the baby Billy glass, they then fought in a forest along the punakawan series (followers of the Knights).

The battle between the Giants and the gods ever happened. Purwa and giant glass involved bitter fights Billy. Diki hands with Frisky play both these puppets.

"I particularly love this story. Billy glass is a Knight valiant, honest, kind and a helper, "said child who aspires to become a lecturer and storyteller.

Diki learn puppet art since the age of 5.5 years. Initially, both parents often watch the wayang Diki in the House, then gradually became fond of the Diki puppet.

"Drawn to the same story, gradually become happy," she said.

Manners

The owner and Chairman of Sarotama Studio, Mudjiono (59) says the Studio consists of dozens of young children were taught to sing (nyinden), story-telling ability, dancing and playing the gamelan music.

Through the puppet, he wants the child not merely love the puppet art but also steeped in character education and the value of manners can be taken from the plot and the nature of puppet characters.

"I want a puppet purwo can be enjoyed also by the child, it can be latched onto in the community. I want to teach the puppet to make child well-behaved and polite, "said he.

This time, he saw a lot of Javanese arts are less manners aside and the more worried about the sheer material.

"A lot masterminds that brought the puppet with the thought of slouchy, berate and quipped that people preferred audience. Indeed many views but a little lesson for the kids, "he said.

Therefore, he decided to make the story of a puppet is packed for children by cutting some parts by entering an education through puppet stories manners.

"I want the children provided a fitting, not to just look for the material, but also saw a good example to be proud and not urakan," he said.

Sarotama which means ' Bow ' is some of the art for children based in the village of Gunung Sari, East of Solo.

Some of the art was established to introduce the artistry of Javanese traditions to children and developing the talents of children. This Studio has 40 pupils fixed and hundreds of other students from various cities in Central Java.

To be able to learn in this class, unattractive Mudji paid and do not restrict when children exercise.

"Not just voluntary free of charge, children can enter at any time and there is no limitation of age. We gathered each night of the week, coming in from out of town we let stay, "he said.

Sarotama Studio is a grantee of CSR Governance Foundation filantropic fund beneficiary, recipient of First State Investments.

"We hope they can be the national and international scene. The children come from Solo to Jakarta to preserving Javanese arts. They are a small talent that needs to be maintained and developed, "said President Director of First State Investment Indonesia, Hario Soeprobo. Source: ANT Editor: Jodhi Yudono Tweettattoo
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