By The Dawn Of The Putu Arcana
Bob Sick, may be the most unique phenomena in the art world in Indonesia. His presence in the Association is far more interesting than his works. It is surely the most important, because he closed the entire surface of the body with a tattoo that is layered and complex.
Similarly, at the opening of his exhibition, Thursday (4/10), entitled I am Living Legend at the National Gallery of Indonesia, Jakarta. With her "loreng", dressed in the manner of "ngepunk", and the style that goes by "slowly", Bob has always attracted the attention of the visitors of the exhibition. Each time he was asked to take pictures with. At moments it seems people forget on dozens of his paintings were being exhibited.
The eccentric appearance was apparently not always directly related to work ethic and discipline in them. That's the curator of the exhibition, said Eddy Soetriyono, which actually is more important than a Bob was Sick. "His performance can be bercitra urakan, but Bob was full of discipline in work, his commitment is high, as well as open to input," said Eddy.
During 1.5 years of preparation the exhibition which will last until October 14, 2012, this is Bob really rebut imaging "negative" towards those who are tattooed. "Bob even tattooing his whole body as a resistance that is not correct the negative bercitra tattooed people," said Eddy Prakoso from Sri Sasanti Syndicate, organizer of the exhibition.
During the period of preparation, Bob not only proved himself as an artist full of discipline, but the idea of browsing has never stopped. Bob suddenly catapult the idea to undergo pilgrimage of umrah. Certainly not an easy matter to take Bob down to the Holy land. Tattoos are a major problem. "But Bob had finally reached the Holy land. There he found many things which are then poured into his work, "said Soetriyono.
Paper entitled "Sacred Land" comes not as the works of Bob in the previous period. On top of the background color to yellow, Bob is no longer framed figure-figure figure with black color. He is free to move with the spontaneous colors to a later frame the figure-figure it fits his character. Bob describes the heat of the Sun on its way from Mecca to Madinah to two solar perched in a corner on the right and left of the picture. In the course of it Bob saw a religious "freedom": everyone, of any race, tattooed or not, could be accepted before the Lord.
The paper "plexiglass"
Bob also makes a "Sacred Land" in the media version of stainless steel and plexiglass. In this version of the journey to Mecca to Medina became noticeably heavy. The Sun remained the two, but now it is so concentrated. Bulge-bulge that gorgeous thus looks at the figure-figure a figure like a cowboy and his horse, a Walker that cigarette with large pipes, as well as a camel. On this medium Bob makin saw the idea of multiculturalism and the difference does not affect the person's acceptance of habit in the Holy land.
Bob also tried to make the pieces of the whole works of his paintings into independent works. He mencuplik the characters in the painting "The Killer Clown" became the chips to three figures with a plexiglass media. Chips of this character was a two dimensional work. Here Bob shows his character is unique, earthy, and lively nightlife. Not with different Imaging character attached to him?
Eddy Soetriyono saw that works this is the transition from plexiglass flavor saturated face flat areas such as canvas. "This may also be a transition before later Bob actually makes the work of three dimensions. Of course he's not just glued on canvas, "said Soetriyono.
At the exhibition this time Bob does not eliminate his desire to tell stories. That is why the majority of his works feels of narrative. Especially if a "whim" he wrote with sentences slip in the frame of the canvas.
Sebutlah it work "Labor Migraines". The title alone is shows how Bob is so naughty slip said migrant workers rush to migraines. Even at the top of the canvas he wrote, "the chimney from head porters pubrick". This paper actually exposes the symbolic side, where the heads of factory laborers depicted has two chimneys, whose life is always full of nervousness, stuffy, even toxic. Maybe that's the reason Bob painted prominently tooth-out workers as symbolizing life's misery, anger, and all the tick-swimmer who cannot finish being taken care of. Perhaps because of the hard life it makes the workers often migraine!
And the figures recorded by Bob penginderaannya is "unusual" that was perhaps born into a legendary figures that he referred to it as "I am a" living legend ". Source: Kompas Print Editor: Jodhi Yudono Tweet
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